Tuesday, December 31, 2019
Alfred Hitchcocks Rear Window Essay - 1050 Words
Alfred Hitchcocks Rear Window In Rear Window, Alfred Hitchcock took a plot-driven short story and transformed it into a character-driven movie. Although differences must exist between text and film, because of the limitations and advantages of the different media, Hitchcock has done more than translate a word-based story into a visual movie. Aside from adding enough details to fill a two-hour movie, Hitchcock has done much to change the perspective of the story, as well as the main character. The novelââ¬â¢s Hal Jeffries, a seemingly hard-boiled and not overly intellectual man contrasts sharply with the photojournalist J.B. Jeffries of the movie. The addition of supporting characters, such as Lisa, diminishes somewhat theâ⬠¦show more contentâ⬠¦Hitchcock uses several devices to help the reader identify more with the character of Jeff. While he obviously desires to be some kind of hero, both in the story and the movie, he as prevented from doing so in both by the restriction of his moveme nt. The story never explains fully the reason Jeffries is bound to his room, merely saying ââ¬Å"my movements were strictly limitedâ⬠¦I could get from the window to the bed, and from the bed to the windowâ⬠(5). In the film, Jeff has broken his leg while photographing a car crash. The specificity of the injury not only justifies Jeffââ¬â¢s immobility, but also gives him a more masculine edge, by his actions while being injured. The Jeffries character in the short story appears to be a lone sort of character. He lives alone, with little contact with the outside world. His only human interaction, aside from the imagined connection provided by his watching his neighbors, occurs with Sam, a paid servant. While his suspicions of his neighbor do force him to contact a detective, his thoughts before he calls the detective reveal his isolationist tendencies: ââ¬Å"I didnââ¬â¢t want to be involved any more than I had to. Or at all, if possibleâ⬠(16). Boyneââ¬â¢s excited response to Jeffââ¬â¢s call shows how long he has been isolated, although the cause of Jeffââ¬â¢s withdrawal, goes, like so much else in the story, unexplained. In the movie, Hitchcock lessens theShow MoreRelated Alfred Hitchcockââ¬â¢s Rear Window Essay1177 Words à |à 5 PagesAlfred Hitchcockââ¬â¢s Rear Window In Alfred Hitchcockââ¬â¢s Rear Window, L.B. Jeffries, played by Jimmy Stewart, becomes completely obsessed with spending all of his waking hours watching his neighbors from his wheelchair. He even uses a camera to better his view and thus enhances his role as both a spectator and a voyeur. This contributes to the creation of a movie being played right outside Jeffriesââ¬â¢ window. In this ââ¬Å"movie within the movieâ⬠his neighborsââ¬â¢ lives become the subject for the plot. EachRead MoreAlfred Hitchcocks Rear Window: Sound Essay1413 Words à |à 6 Pagesbe an aural sense but a visual sense as well and director Alfred Hitchcock knew this and applied it in his movie Rear Window. When Alfred Hitchcock fans refer to his style, they are usually referring to Hitchcocks camera magic and editing. When I think about Hitchcock the first thing that comes to mind is his use of sound effects, language, and music to create suspense or a sense of understanding. In the film Rear Window, there are many occasions where Hitchcock uses sound in orderRead MoreTechniques used in Alfred Hitchcocks The Rear Window1579 Words à |à 4 PagesMarta Alfred Hitchcock was an amazing director and his films have lived on and are still thriving today due to the techniques he used in his films and the way he created them. He was known for taking the least probable scenarios and turning them into a masterpiece just by playing with light and form or angles. Some of these films are Psycho, Perfect Crime, The Man Who Knew Too Much and Rear Window. At first it was quite difficult to pinpoint a particular film to choose as he used brilliant techniquesRead MoreGender Roles In Alfred Hitchcocks Rear Window And Strangers On A Train1232 Words à |à 5 Pagesevident in our everyday lives for quite sometime. Women are often portrayed as sexual objects, or delicate individuals; a body with no brain or strength. These traits are easily found within many novels and movies- old and new. In Alfred Hitchcockââ¬â¢s films, Rear Window and Strangers on a Train, Hitchcock begins his films representing women with the same characteristics as stated above . They are very stylish, attractive and presented as second-class individuals to males. But after examining these twoRead MoreEssay on Alfred Hitchcocks Control Of What We See in Rear Window990 Words à |à 4 PagesAlfred Hitchcocks Control Of What We See in Rear Window Alfred Hitchcock controls what we see in the film by firstly controlling what the camera shows, he adds small details to the film to provide reasons for various events happening, he also uses each of the characters to convey a message to the public, includes some short but effective shots of some of the characters to stir certain feelings within the audience, uses light humour and sometimes uses only visual aidsRead MoreEssay about Alfred Hitchcocks Rear Window and the Crime Fiction Genre2515 Words à |à 11 PagesAlfred Hitchcocks Rear Window continues and expands on traditional themes of the Detective Fiction Genre. In 1841, Murder in the Rue Morgue by Edgar Allan Poe broke the traditional character constraints of the Crime Fiction Genre, by introducing a new type of lead detective figure. The ideal detective figure encompassed traits of superiority, intelligence, wit and a keen sense for observation. The lead detective figure is a sophisticated character that is not bound to the constrictions and limitationsRead MoreThe Narrative Techniques Used by Hitchcock in Rear Window Essay887 Words à |à 4 PagesThe Narrative Techniques Used by Hitchcock in Rear Window L.B. Jeffries is a high-class magazine photographer for what seems to be a worldwide publication. In Alfred Hitchcocks Rear Window, he is a temporarily wheelchair-bound man and his voyeuristic side appears later on in the film. Rear Window depicts a 20th century New York in which fraudsters, murderers and salesmen all live alongside each other. The story describes a man who broke his leg during a photographyRead MoreThe Master Of Suspense And Alfred Hitchcock1389 Words à |à 6 Pagesall have two attributes in common; the tactful use of suspense and Alfred Hitchcock. Each person in the list above has, at one point, named Alfred Hitchcock as an influence for their works (IMDb). Hitchcock has been known as, ââ¬Å"the master of suspense,â⬠throughout his career and it shows, not only in the movies that he directed personally, but in the movies of the other directors and producers who aspire to compare to him. Hitchcockââ¬â¢s auteur, or reoccurring themes within movies that can be traced backRead MoreAnalysis Of Alfred Hitchcock s Use Of Mis En Scene1312 Words à |à 6 Pagesbathroom break. Mis-en scene simply refers to the setting and surrounding of an event within film. This element of a film is another way for a director to add more detail to an important scene, or to simply enhance an atmospheric understanding. Alfred Hitchcockââ¬â¢s use of mis-en scene within a film accompanies his rich portrayal of suspense, avidly depicted throughout the majority of his films. Mis-en scene incorporates a large number of features including costume design, actors, lighting, props, colourRead MoreVisual Pleasure And Narrative Cinema933 Words à |à 4 Pagesdirector Alfred Hitchcockââ¬â¢s film Rear Window for how he portrayed woman in the film. Alfred Hitchcockââ¬â¢s movie correlates to Mulveyââ¬â¢s ideas which support her theories of scopophilia and voyeurism in cinema, she believed that the film exploits the male gaze and how it antagonises woman in an anti-feminism manner. In the film, the main actor is restricted in his apartment due to his broken leg from his latest assigned project. He spends most of his time watching his neighbours from his window and later
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